Showing posts with label glaze. Show all posts
Showing posts with label glaze. Show all posts

Thursday, February 25, 2010

Glaze Results --Mayco Elements

As I search the internet looking for different glazes I've discovered that it's really hard to find pictures of different glaze color results.  I'm learning a lot of times they don't quite look exactly like the colors on the sample tiles.  My experience with lampworking has helped me, I'm sure. Certain colors of glasses need certain temperatures and conditions to achieve their best look.  Glaze is basically crushed glass in a paint type medium.  It's hard to find reference colors online (I know, I've looked).  So I'm writing this in hopes I can help someone else when they are trying to decide what colors they want to buy.

Today I am writing about Mayco Elements . I've only gotten four shades of this line, but I am planning to buy more.  One thing that is really nice about them is that they are non-toxic.  Another nice thing is that they have an incredible depth to them that creates a look beyond the Jr. High School Art Class look.

My first example is Blue Grotto .  If you followed that link you saw sort of a darkish blue.  Now look at this:
 
and this:


Both are Blue Grotto on Indian Red Clay.  The second piece was actually glaze fired 3 times.  The stilts were chipping some of the glaze off the bottom and I didn't like it.  Notice how it developed into more of a green shade.  Also, notice how the glaze likes to settle into recesses. 

The next color is Stormy Blue .  Basically on the tile it looks kind of like a steel blue, sort of chalky. 

In my case the piece became a gorgeous caramel shade.  The stormy blue shade actually worked into the recesses on the birds.  The base was the Indian Red Clay again.


On this piece there is a bit more of the blue showing through. This bird was created in white versa clay. 
Here is a color called Iron Moss .  In the online tile pictures it looks very metallic but from my experience it's much more mossy than irony.  


Notice how nicely it sinks into the design and highlights.  This is also on a base of red clay.


Iron Moss on white clay.  This is a bit thinner of an application.  Three coats seems to yield best results (as stated on the bottle as well). 
Last of all Patina . Now this one seems to be right on, easy to duplicate the results. 


This is on a brown stoneware clay.  


On white clay....


Annnnnd...raku fired.  I plan to work much more with this as a raku glaze. 
I hope this helps others out. Please feel free to ask if you have any questions.

Friday, February 5, 2010

The Good, The Bad, and the Ugly

THE GOOD -So I've been experimenting in the wild world of firing and glazing ceramics.  I've mostly had experience in the sculpting phase so this is uncharted territory.  I've had a few pieces so far that I'm quite pleased with, and I've come up with some techniques that I like.  Most of the pieces in the above pic are pretty much exactly what I was going for...color wise and also the finish is pretty. 

THE BAD-This is what happened when I tried my hand at raku firing.  I'm still in the trouble shooting phase obviously.  I was kind of heartbroken over this because a few of them looked very nice....until their heads cracked off.  I'm beginning to wish I had bought the raku clay after all but at the time I wasn't planning larger sculptures.  I was reading on a raku site where it recommended underfired stoneware clay...which I have about 80 lbs of..so I might see how it holds up to the thermal shock.  I also learned that mostly I'm not painting on my glaze nearly thick enough.  The thicker ones came out better.  Also so far spanish moss produces a nicer effect than pine hamster bedding.  I think I'll try newspaper next time though. 

THE UGLY--Structurally they are sound, yet the colors are pretty ghastly.  Some are from my first raku firing attempt  where I did not use a thick enough application of glaze.  I don't like the color of green on this bird and the other bird is not THAT bad, just rather dark so it's hard to see the detail.  These are the "what not to do beads". 

I've actually managed to have some jewelry quality beads though so that's not bad for just starting out.  My first lampworked beads were very grim so I need to remember that when I'm feeling disheartened.